Weeks 1–3 · The strokes
Thin upstrokes, thick downstrokes, and consistent pressure.
Four programs of 6 to 12 weeks, all built on short daily drills and weekly photo feedback.
Every letter in modern calligraphy comes from about eight basic strokes. We drill those first, which is dull for two weeks and then suddenly pays off, before building the lowercase alphabet and learning to connect letters without the spacing falling apart.
Thin upstrokes, thick downstrokes, and consistent pressure.
Lowercase letters built from the strokes you've drilled.
Joining letters and keeping slant and spacing even.
One quote, laid out and completed.
Preparing a nib, mixing ink, and paper that behaves.
Minuscules with correct slant and proportion.
Majuscules, which are where most people struggle.
Adding flourishes without wrecking the letters.
Pointed pen is unforgiving and beautiful. We cover nib preparation, ink choices and paper that won't feather, then work through the classical letterforms with the rules of slant and proportion that make them hold together.
Beautiful letters arranged badly still look amateur. We work on thumbnails, guidelines, centering by measurement rather than eye, and the planning that means the last line doesn't run off the page.
Planning small before working large.
Ruling up properly, and erasing cleanly.
Line lengths, emphasis and white space.
A quote or poem, planned and executed.
Producing fifty envelopes that match.
Per-piece rates, spoilage and rush fees.
Address lists, proofs and approvals.
Timelines, packaging and what to do when you misspell a name.
Envelope calligraphy is the most common first paid work. We cover pricing per piece including spoilage, working out how many you can do in an evening, and the practicalities of client lists, deadlines and the inevitable misspelled name.
Thirty minutes, free, on your practice sheets and what to drill first.